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A few seconds of the last part of the trailer for “Goin’ South.”  “Nightfall” (DXW, suspense), “Outpost in Malaysia” (B&W, suspense), “Marriage on the Rocks,” starring Dean Martin and Frank Sinatra, “Brainstorm,” “Operation Petticoat” starring Tony Curtis & Cary Grant, “Flower Drum Song,” Asian musical, “Jennifer (horror, suspense), “One of Our Aircraft is Missing” (Mystery), “Jeopardy” (Action), “Honeymoon Killers” (Horror), “The Steel Lady,” “The Blue Max” (starring George Peppard and Ursula Andress, “Everything I Have is Yours”

1) Marijuana (1936)
2) Maniac (1934)
3) Universal Studios tags (2) with Alfred Hitchcock at the Psycho house
4) The Chaplin Masterpieces: Modern Times, City Lights, Limelight, The Great Dictator, Monseur Verdoux, The Kid, The Gold Rush, Pay Day, The Circus, The Immigrant, A King in New York, The Chaplin Revue, The Idle Class
5) The Last Picture Show (1971)
6) Journey Through the Past (1972)
7) Monty Python and the Holy Grail (1975)
8) Play it as it Lays (1972)
9) Alien (teaser trailer) (1979)
10) Slaughterhouse-Five (1972)
11) Women in Revolt (1971)
12) Viva La Muerte (1970)
13) Between Time and Timbuktu (1972)
14) Luminous Procuress (1971)

Darktown Strutters (1975) - A Blaxploitation film about a biker chick singing group on the road. Great songs and classic attitude.

1) Raga (1971) -Ravi Shankar, George Harrison. Directed by Howard Worth. Indian sitar musicians.
2) Pink Flamingos (1973) -Divine. Directed by John Waters.   Crowd being interviewed outside theater.
3) Jabberwocky (1977) -Monty Python
4) State of Siege (1973) -Yves Montand
5) Jimi Plays Berkeley and Love is Hard to Get (1971) -Jimi Hendrix.
6) Wet Dreams (1974) -Nicholas Ray. Directed by Max Fischer. Erotic, sexual surreal vignettes.
7) Truck Stop Women (1974) -Woman riding in truck, shooting people.
8) The Seduction of Mimi (1972)
9) Cabaret (1972) Teaser trailer -Liza Minnelli. Directed by Bob Fosse.
10) Immoral Tales (1975) -Group of nude women bathing in blood.
11) Conversation Piece (1975) -Burt Lancaster, Stefano Patrizzi. Directed by Luchino Visconti.
12) Trash (1970) -Joe Dallesandro, Andy Warhol. Directed by Paul Morrisey.
13) Dirty Duck (1972) -Erotic animation. Directed by Charles Swenson. The music of Flo and Eddy.

t. Trailer for “The Old, Dark House” .  Title card: Hideous Hideaways from Gruesome Twosomes”  Mortician-like real estate agent shows pictures of open graves and haunted houses to camera.  Man falls through floor, bald man chases man in naval officer uniform through dungeon.


1. United States Air Force PAS
2. Sounder (1972)
3. Play It Again, Sam (1972)
4. The Andromeda Strain (1971)
5. The Boy Friend (1971)
6. Harry and Tonto
7. Scenes From a Marriage (1974)
8. Slaughterhouse-Five (1972)
9. The Exorcist (1973)
10. The Cars that Eat People (1974) (version 1-3)
11. The Cheerleaders (1973) (version 1-2)
12. The First Nudie Musical (1976)
13. The Omen (1976)
14. The Paper Chase (1973)
15. All The President’s Men (1976) (version 1-2)
16. Infa Man (1976)
17. Deathsport (1978)
18. Blue Collor (1978) (version 1-4)
19. Up in Smoke (1978) (version 1-4)
20. Goin’ Sounth (1978) (version 1-4)
21. King of the Gypsies (1978) (version 1-5)
22. The Street Fighter (1974) (version 1-2)
23. The Warriors (1978) (version 1-6)
24. Meatball (1979) (version 1-8)
25. Manson (1973) psychedelic trailer, interviews with the family

1) Rear Window (1954) -1962 re-release trailer. James Stewart, Grace Kelly. Directed by Alfred Hitchcock.
2) Vertigo (1958) -James Stewart, Kim Novak. Directed by Alfred Hitchcock.
3) Intermission tag (1950s)

23. American International Pictures "Jennifer #1" 60 sec.
24. American International Pictures "Jennifer #2" 30 sec.
25. American International Pictures "Jennifer #3" 30 sec.
26. American International Pictures "Here Come the Tigers #1" 30 sec.
27. American International Pictures "Here Come the Tigers #2" 30 sec.
28. American International Pictures "Gray Eagle #1" 60 sec.
29. American International Pictures "Gray Eagle #2"
30. American International Pictures "Gray Eagle #3" 30 sec.
31. Warner Brothers "The Enforcer"
32. Warner Brothers "The Enforcer"
33. Warner Brothers "The Enforcer"
34. Warner Brothers "The Enforcer"
35. Warner Brothers "The Enforcer"
36. Warner Brothers "It's Alive #13"
37. Warner Brothers "It's Alive # 14"
38. Warner Brothers "It's Alive # 16"
39. Allied "Twilight's Last Gleaming"
40. American International "The Town That Dreaded Sundown"
41. American International  "The Town That Dreaded Sundown"
42.  American International "The Town That Dreaded Sundown"
43. TV Guide "Presidential Seal" 10 sec.
44. Satan's Cheerleaders Promo 60 sec.
45. Satan's Cheerleaders Promo 30 sec.
46. TV Guide Presidential Seal 20 sec.

1. Walt Disney "Gnome Mobile 30 sec.
2. Group I "Crash" 30 sec.
3. Dimension Pictures "Bad Georgia Road" 30 sec.
4. Paramount "Hustle" 30 sec.
5. KFM Films "Kentucky Fried Movie"
6. Allied Artists "Twilight Last Gleaming" 30 sec.
7. Warner Bro. "All the President's Men" 30 sec.
8. American Inter. "A Small Town in Texas" 30 sec.
9. American Inter. "Gray Eagle" 30 sec.
10. Warner Bro. "Billy Jack Fight" 30 sec.
11. United Artists "Carrie" spot #1 30 sec.
12. American Inter.  "Breaker Breaker" spot #2 30 sec.
13. United Artists  "Logan's Run" spot #5 30 sec.
14. Paramount Pictures "Bad News Bears Go To Japan" 30 sec.
15. Universal Pictures "Almost Summer" spot #5 30 sec.
16. Warner Bro. "The Enforcer" spot #5 30 sec.
17. Paramount "Black Sunday" spot #4 30 sec.
18. World Amusement "Satan's Cheerleaders" spot #2 30 sec.
19. Warner Bro. "Viva Knievel" 30 sec.
20. S.J. International "The Inheritance", 1979
21. AVCO Embassy "Phantasm" spot # 1 30 sec.
22. Film Ventures International Outcries "The Inheritance" 30 sec.
23. Warner Bro. "The Exorcist" 30 sec.
24.  Compass International "Halloween" spot A#63291 30 sec., 1978
25. United Film "Dawn of the Dead" spot #5 30 sec., 1978

26. xxx  "Take All of Me" 30 sec.
27. Warner Bro. "It's Alive" # 14
28. "Cinderella" 30 sec.
29. Universal Pic. "Mac Arthur" 30 sec.
30. xxx "Black Oak Conspiracy" 30 sec.
31. Warner Brothers "Enter the Dragon" 60 sec.
32. Warner Brothers "The Gumball Rally"  30 sec.
33. Warner Brothers "Starship Invasions" #12 30 sec.
34. Warner Brothers "One on One" #14 30 sec.
35. Warner Brothers "Oh God"  30 sec.
36. Warner Brothers "Piece of the Action" 30 sec.
37. Universal Pic. "Smokey and the Bandit" 30 sec.
38. Warner Brothers "Exorcist II.: The Heretic" 30 sec.
39. AVCO Embassy "Rabbit Test" 30 sec.
40. Warner Brothers "Outlaw Blues" 30 sec.
41. Warner Brothers "Outlaw Josie Wales" 30 sec.
42. Columbia "Murder By Death"

Laser Blast (1978, 30 sec): Trailer for cheesy 1970’s sci fi film. We see a teenage boy stumble across an alien gun in the desert. Creepy claymation aliens that look like turds see him on their viewer. When he uses the gun, they come out of their hidden space ship and kill the boy. Titles come up and we see explosions, aliens, and girls from the movie.

1. Warner Bros: "Ode to Billy Joe No. 12"     30 sec
2. Warner Bros: "Ode to Billy Joe No. 14"     30 sec
3. Paramount: "Heaven Can Wait"     60 sec
4. Paramount: "Heaven Can Wait"     30 sec
5. Columbia: "Eyes of Laura Mars-A"     30 sec
6. Columbia: "Eyes of Laura Mars-B"     30 sec
7. Columbia: "Eyes of Laura Mars-C"     30 sec
8. Avco Embassy Pictures: "Manitou - A"     30 sec  Domestic Version
9. Avco Embassy Pictures: "Manitou - B"     30 sec  Domestic Version
10. Avco Embassy Pictures: "Manitou - C"     30 sec  Domestic Version
11. Allied Artists: "Wild Geese, Spot 1"     30 sec
12. Allied Artists: "Wild Geese, Spot 2"     30 sec
13. Allied Artists: "Wild Geese, Spot 3"     30 sec
14. Paramount: "Grease, No. 3"     30 sec
15. Paramount: "Grease, No. 2"     30 sec
16. Paramount: "Grease, No. 1"     30 sec
17. Paramount: "Grease"     60 sec
18. Warner Bros: "Blazing Saddles, no. 23"     30 sec
19. Warner Bros: "Blazing Saddles, no. 24"     30 sec
20. Warner Bros: "Blazing Saddles, no. 25"     30 sec
21. universal: "Smokey the Bandit, spot 1"     30 sec
22. universal: "Smokey the Bandit, spot 2"     30 sec
23. universal: "Smokey the Bandit, spot 3"     30 sec
24. Warner Bro: "Crossed Swords, Spot 11"     30 sec
25. Warner Bro: "Crossed Swords, Spot 12"     30 sec
26. Warner Bro: "Piranha"     30 sec
27. MGM: "Deathsport, Spot 2"    30 sec
28. Amuck: "Amuck"     30 sec
29. American International: "The Chosen"     30 sec
30. American International: "The Chosen"     30 sec
31. American International: "The Chosen"     30 sec
32. united Artists: "Convoy"     60 sec
33. united Artists: "Convoy"     30 sec
34. united Artists: "Convoy"     30 sec
35. MGM: "Corvette Summer"     60 sec
36. MGM: "Corvette Summer, Spot 1"     30 sec
37. MGM: "Corvette Summer, Spot 2"     30 sec
38. MGM: "Corvette Summer, Spot 3"     30 sec
39. Teasers..: "Teaasers Go To Paris"     30 sec
40. Dimension Pictures: "The Redeemer"     30 sec
41. Columbia Pictures: "Jason and the Agronauts"     30 sec - domestic version
42. Columbia Pictures: "Jason and the Agronauts"     30 sec
43. Count Dracula...: "Count Dracula and his Vampire Bride-1"     30 sec - domestic version
44. Count Dracula...: "Count Dracula and his Vampire Bride-2"     30 sec
45. Count Dracula...: "Count Dracula and his Vampire Bride-10"     10 sec
46. American International: "Island of the Damned-A"     30 sec.
47. American International: "Island of the Damned-B"     30 sec.
48. American International: "Island of the Damned-C"     30 sec.
49. Joseph Brenner Assoc: "The Devil's Rain/Virgin Witch Combo"    30 sec
50. American International Pictures: "The Incredible Melting Man, Spot 1"     30 Sec
51. American International Pictures: "The Incredible Melting Man, Spot 2"     30 Sec
52. Fabian-Traxler: "Spawn of the Slithis -1"     30 sec
53. Fabian-Traxler: "Spawn of the Slithis -2"     30 sec
54. Fabian-Traxler: "Spawn of the Slithis -3"     10 sec
55. Fabian-Traxler: " Slithis"     10 sec
56. Twentieth Century Fox: "Damien Omen II"     30 sec
57. Dimension Pictures: "High Raiders, Spot 1"
58. First Arstists: "Speed Trap"     30 sec
59. First Arstists: "Speed Trap, spot 2"     30 sec
60. Peter Perry Pictures: "Mag Wheels"     30 sec
1. Almost Summer
2. Almost Summer
3. Almost Summer
4. Almost Summer
5. Almost Summer
6. The One and Only
7. The One and Only
8. Coma
9. Coma
10. Coma
11. The Big Sleep (1978)
12. The Big Sleep (1978)
13. Fun with Dick and Jane
14. Fun with Dick and Jane
15. Fun with Dick and Jane
16. Cheech and Chong Up In Smoke
17. Cheech and Chong Up In Smoke
18. Cheech and Chong Up In Smoke
19. Cheech and Chong Up In Smoke
20. Crossed Swords
21. Crossed Swords
22. Comes a Horseman
23. Comes a Horseman
24. Dog Day Afternoon
25. Dog Day Afternoon
26. Dog Day Afternoon
27. One Flew Over the Cuckoo’s Nest
28. One Flew Over the Cuckoo’s Nest
29. The Wild Geese
30. Gray Lady Down
31. Gray Lady Down
32. Gray Lady Down
33. Gray Lady Down
34. Youngblood
35. Eyeball
36. Eyeball
37. Here We Go Again (TV)
38. Goin’ Coconuts
39. Goin’ Coconuts
40. A Brand New Life (TV)
41. Goin’ Coconuts
42. It’s Alive
43. ABC TV Promo (TV)
44. Kung Fu (TV)
45. Jack Paar Tonite (TV)
46. The Rat Patrol
47. Election ‘74 Promo (TV)
48. Jupiter’s Darling
 1. "Father Goose" trailer, Garry Grant, Leslie Caron
2. "The Appaloosa", Marlon Brando, Anjanette Comer
3.  "The Pad (and how to use it)" , Julie Sommars, James Farentino, Briand Bedford
4. "The Ipcress File - Top Secret", crime, agents, murder, guns
5. "Rosie!", lady on the stage dancing, shopping... James Farentino, Brian Aherne, Leslie Nilelsen, Audrey Meadows, Vanessa Brown
6. "The Champagne Murders", Anthony Perkins, Yvonne Furneaux, Maurice Ronet
7. "A Very Special Favor", Rock Hudson, Leslie Caron, Charles Boyer, Walter Slezak, Dick Shawn, Larry Stirch
8. "Arabesque", Gregory Peck, Sofia Lauren, music by Henry Mancini

1) Marihuana - 1936

2) Maniac - 1934

3) The Lash of the Penitentes - 1937

4) Return of Captain Marvel

5) Jolson Sings Again - 1949

6) Dead or Alive - 1944

7) Each Dawn I Die - 1939

8) Design for Action

9) Marihuana - Assassin of Youth - 1937
1. Warner Bros. Exorcist (1973)
Color
Color shift
Film Stock: Eastman Safety
Wide shot of a house. Shots of a mother chasing after her daughter in the kitchen. Shots of a mother putting her daughter to sleep. The girl’s face flashes and turns black and white. ‘William Peter Blatty’s The Exorcist Directed by William Friedkin’ appears on the screen.

2. Warner Bros. Exorcist (1973)
Color
Color shift
Film Stock: Eastman Safety
Medium shot of a blue car on the street and a man crossing the street after the car passed him. Wide shot of a big house. Medium shot of a woman smiling and walking. Medium shot of a girl walking up to his mother and the mother giving h a kiss. The camera tracks towards a white door. The door opens and reveals a room with open window and wind blowing inside. Medium shot of a man jumping out of the window. Close up of an old couple. Close up of a man in black top shivering. Medium shot of a young girl slapping a doctor. Medium shot of a woman opening the front door and a man with no face appearing. ‘William Peter Blatty’s The Exorcist Directed by William Friedkin’ appears on the screen.

3. Warner Bros. Exorcist (1973)
Color
Color shift
Film Stock: Eastman Safety
Medium shot of a girl looking at an old man and her face flashes black and white to reveal an eery skeleton. Close up of an old man with beard. Close up of a woman in surprise. Her face flashes to a skeleton too. Various shots of black and white faces. Close up of a woman hitting something. Close up of a woman screaming. Tracking shot to a whit door. Close up of a woman opening the door and a man with hat and without any face appears in front of the door.
‘William Peter Blatty’s The Exorcist Directed by William Friedkin’ appears on the screen.

4. Warner Bros. Exorcist (1973)
Color
Color shift
Film Stock: Eastman Safety
Medium shot of a woman and an old man talking at the table. A shot of a man jumping out of the window. Fast shots of a girl sleeping, black and white shots of children and a woman screaming. Medium shot of the door slamming closed. Medium shot of a woman opening the front door and a man with no face appearing. ‘William Peter Blatty’s The Exorcist Directed by William Friedkin’ appears on the screen.

5. 20th Century Fox. The Omen. (1976)
Color
Color shift
Film Stock: Eastman Safety
Wide shot of a family walking in the meadow. Medium shot of the couple kissing and a toddler smiling. A shot of the woman being knocked off from a balcony. A shot of the hysteric child in the car. A shot of lightening hitting a metal fence. Close up of the man’s face. Shots of a truck heading towards a man. ‘The Omen’ appears on the screen.


Trailers:
*A Very Natural Thing
*The Boys In The Band
*Satan’s Cheerleaders: Color somewhat faded; Awesome; Solarized effects; “Rated R”
*Hitler’s Harlots: Good color; Hardcore
*Baroness Nica: Good color; Hardcore
*Teenage Runaway: Hardcore; Faded color;
*Unidentified hardcore trailer (maybe “Domination Blue” but really unclear; women in prison; campy; weirdo
*Angels: good color; hardcore


1. Halloween. color, 1978. An American independent horror film. See film title, “Halloween,” on the right side of a smiling jack-o-lantern. See a woman in a car. A man jumps on her car and attempts to grab her as she fends him off. She shifts to the passenger side of the car. The window cracks and a hand reaches towards that window. The woman screams. A man talks. A woman stands scared by an open door. A man with a white mask comes up behind through the open door. The woman screams and falls down the stairs. The man with a white mask comes down the stairs with a knife. See film title, “Halloween,” on the right side of a smiling jack-o-lantern.

2. Killer Fish. color, 1979. An Italian horror film. See the film title, “Killer Fish,” in front of a body of water and some trees. See a hand holding a diamond (?) See an explosion as a man uses his hands to swing down a tight rope. See four people by trees. Two of the people throw a box and a tank into the body of water. See the box sink. See a female scuba diver’s face up close. See a skeleton in the water. See fireworks in the sky. See women in dresses. Inside a house, see a man pull another man onto a bed. The first man holds the second man down with his left hand while pointing a gun at him with his right hand. The screen splits into three: left side is a man wearing glasses, center is the man holding a gun to another man, and the right screen is the female scuba diver. The screen splits into six and then into three: left side is a man holding a woman,center is a woman in a white dress, and right is a man kissing a woman while taking a shower. See multiple piranhas. See film title and credits.

3. Don’t Go in the House. color, 1980. A low budget slasher film. See a house with its lights on in the dark. See a man looking down. See people grab his feet from below. See film title as he grabs on for dear life and gets pulled into the hole.

4. The Amityville Horror. color, 1979. An American horror film. See a house with lights on in the dark. See a woman scream. See a man in distress, pulling his hair and screaming. See the outside of the house. See a window broken from the inside. See a man walk down the basement and fall through the floor. See outside of the house. See a window break from the outside into a bedroom. See credits and film title.

5. The House on Sorority Row. color, 1983. A low budget American slasher film. See two women wearing graduation caps. See a group of women sitting on the floor in a room, spraying Champaign bottles and holding mugs in celebration. One of the women pours Champaign into mugs. A man is interested in a woman, would unbuttons her blouse. A man kisses a woman. A woman wearing a graduation cap holds something and look on. Another woman in a graduation cap looks on. A woman’s enjoying the touch of a man until a crowbar (?) whacks down on their bed. A woman has a sinister look. Someone holds a gun. A woman looks on. Another woman looks on. A woman wearing a visor looks and speaks to her right. See a hand holding a gun. See a white haired woman fall into a pool. See a group of women wearing graduation attire standing in front of a door. See film title and credits.

6.  The Fog. color, 1980. A horror film. See headlights in fog. See a hook. See two men in fog, with one of them holding a flashlight turned on. See a man talk. See a hook raise. See an island (?) with fog. See a hook. See a silhouette  of a man with the hook standing behind a door. See light behind the doors. See fog. See the shape of a man’s head appear in the fog. See a creature’s hand break through a stained glass window. See the hand (?) touch a man’s shoulder. See fog. See film title and credits.

7. The Clonus Horror. color, 1979. A science fiction horror film. See a woman’s face from her left side as she’s laying down. The shot widens. See the woman laying down on a piece of wood (?) on a tripod (?) while being covered by a piece of cloth. Film title appears.

8. Phantom of the Paradise. color, 1974. A musical film. See two black gloved hands play a keyboard. See the hands belong to a helmet covered creature. It gets up and screams. A man’s shirt sleeve is caught on one of the switches on a control panel. He removes his sleeve and falls backwards. See a caped figure run across a hallway. See a creature smash a rock with a hammer (?) See a creature turn left and right. See a creature scream. See a caped and masked man swing on a rope. A woman gets up. A person puts his gloved hand to his face. This person gets carried by people. The woman puts her left hand to her head. A man with a disfigured face screams as he gets pulled. See film title with a creature in the background.

9. The Black Hole. color, 1979. An American science fiction film. See a “floor” of red that becomes yellow. While lines make rectangles on the “red floor.” See a spaceship. See two men standing on platforms by a huge ball that looks like it’s on fire. A hand grabs a face. A woman puts her left hand over her mouth. See the existence of a nearby black hole. See a spaceship going towards the black hole. See two men aboard, with one tilting his head. See fire. See red “firecrackers” soaring past the “red floor.” Three people run. See a big explosion that turns into the title, “The Black Hole.” See credits.

22. The Fog. color, 1980. A horror film. In the night: see what looks like a beach. See the front of a building. See other buildings. See a man sweep. See bottles shake. See written words in a book. See a hand holding a pen/knife (?) on top of a stand. See a chair move forward. See a woman talk to a man. See a silhouette behind a door. See a hand close over a key to open a door. A man looks towards the camera in a car. A force pushes him and his passenger down. See a clock and then it’s glass protecter shatter. See a woman by an open door. A foggy man appears behind her. See a door close. See a figure retreat in the fog. See a hook (?) go down in the fog. See film title and credits.

23. The Fog. color, 1980. A horror film. A woman looks out an open window. See a beach at night. See a house and a small lighthouse (?) See a dark figure behind a door. See a boy sitting by a window. See a door. See a house with its lights on. See fog hit the lighthouse. See fog hit the house. See film title. See a woman push close a door. See the woman run away from the door. A hand opens the door amidst fog. A hook appears in the fog. A creature stands on the left side. A face’s silhouette appears on the screen. See film title and credits.

24. The Fog / Phantasm. color, 1980/1979. Two horror films. See silhouettes of a hand grabbing a person. Split screen. See a hand holding a pen/knife on top of a stand on the left side of the screen. On the right side, see a hand hold someone’s belt as he’s laying down. On the right side, see wind blowing a boy’s face. The boy gets blown backwards. See a man in a bow tie holding for leverage. See a woman. On the left side, the screen turns dark. See a hook on the left side, then see a woman’s face in fear. See a man looking at a lamp in the dark (right side). Someone grabs him from behind. The right side of the screen gets small until it’s gone. See fog. See a scary man grab hold of a woman. She screams. See a wall with squares. See a golden sphere move through the air. See a hallway and the golden ball flying through it. See a man walk down the hallway towards the camera. See a woman’s face. She screams. See a man pointing a gun and shooting it. See a boy sitting scared by a window on the left side of the screen and a man wearing a tie on the right side of the screen, who’s talking. See light overlooking a body of water on the left side of the screen See a woman on the right side of the screen. She turns around. See a man looking on on the left side. On the right side, see someone grab the woman’s face from behind and pull her backwards. The man on the left side is hit and grabbed. Glass breaks. See film titles.

25. The Fog / Phantasm. color, 1980/1979. Two horror films. See a foggy lighthouse. Split screen. On the right side, see a wall with squares. See a golden sphere move through a hallway. See a boy run and jump out a window, but someone grabs his feet. See a person scream on the left side. Split screen becomes one screen. A boy opens a curtain and sees a man. The man breaks the glass as the boy runs away. A car door opens and see a hooded figure. The woman inside screams. See a man floating on top of a person laying in bed. See three figures from opposite sides of the bed reach across the bed. See a foggy island (?) A fist punches through a stained glass window. See light shinning through some cracks. Three small cracks become a big rectangular crack. See a hand grab a woman’s hair as she lays under a cross with Jesus on it. She screams. See split screen. See the hallway on the right side. See the golden ball fly through the hallway. See the golden ball stick out pointy figures. See a man looking at the golden ball. See an explosion. See film titles.

26. Deadly Blessing. color, 1981. A horror film. See a woman holding a flashlight as she walks to check out a box in the ground. She goes into the hole. See a man’s eyes. She opens the box. She points her flashlight at the open box. A ghost-like figure flies out of the box. A bald man turns around. See film title.

41. Love at First Bite. color, 1979. A comedy horror film. See a man with a bow tie and a vest sit on a couch and listen to a coffin. Inside the coffin is a vampire who’s reading a book while wearing white gloves. See a moon. See a curtain get blown open. See the vampire holding his cape widely with both arms and flies down. See “Love at First Bit is Back!” as the vampire plays a piano. He sings too. See a man hold a broom. Another man takes the broom from him and hits him in the stomach with it’s stick. See a man and a woman in bed. See a man in white sitting down. See the man with the bow tie smile. See film title and credits and a man and a woman dance.

42. Mad Max. color, 1979. An action film. See a man driving a car. See a siren. See the “interceptor” car drive away. See another car pass through the road. See a man screaming while sitting on the passenger side of a car while the driver is driving. See a car crash into a trailer. See a car driving past tanks and hitting two cars that are knocked over. See an explosion. A man watches from his car. A car approaches a motorcycle.  As the motorcyclist takes off his goggles, he sees a truck coming towards him. Cut to film title and credits.

43. Mean Dog Blues. color, 1978. A drama film. See a hill. See a vicious dog on a leash. See a man scared of the dog, moving away from it. See a man with a hat holding the dog and talking. See a man run and trip over a small tree root that’s grown on the ground. The man’s on his way up. Split screen into four screens. See four angles of a man running away and a dog running. See a man hanging on the lower right hand corner. See a vicious dog running. See the dog jump. See film title.

44.  The House on Sorority Row. color, 1983. A low budget American slasher film. See two women wearing graduation caps. See a woman unbutton her blouse in front of a man. A woman looks at a lighted light bulb and a hand grabs her face. Cut to a woman pointing a gun while standing next to a man. She turns while continuing to point the gun. See a group of women sitting on the floor in a room, spraying Champaign bottles and holding mugs in celebration. See a group of women wearing graduation attire standing in front of a door. See film title and credits.

45. The House on Sorority Row. color, 1983. A low budget American slasher film. See two women wearing graduation caps. Cut to a woman pointing a gun while standing next to a man. She turns while continuing to point the gun.  See a group of women sitting on the floor in a room, spraying Champaign bottles and holding mugs in celebration. See a man hold something in his left hand. A woman in front of him unbuttons her blouse. A woman runs in a hallway, twirling around and falling to the ground. She grabs a knife. Cut to two hands touching a woman’s neck - she enjoys it.  A crowbar (?) whacks down on their bed. Four women carry a body outside. A woman in a graduation cap has a sinister look. Cut to a woman who looks at a lighted light bulb and a hand grabs her face. Cut to a woman who screams and turns around. Cut to a group of women by a pool who push a body into the pool. See a group of women wearing graduation attire standing in front of a door. See film title and credits.

46. The Evictors. color, 1979. A horror film. See a person holding a gun. He gets ready to use it. See a man behind bars. See a doorknob turn. See a man in a wheelchair turn around. See a figure behind railings. See a man fall out of a house through a window. A woman screams. A man comes forward with a horseshoe, screaming. A man stands with his back towards a house while looking towards his right. He reaches out with a stick with his right arm. A woman screams and runs up the stairs. A man with a knife walks up the stairs. The woman stands scared as the man comes toward her. See film title.

47. The Evictors. color, 1979. A horror film. See a man standing next to a wooden shack in the dark. See a person’s shadow cross the side of the shack. The man walks forward.  See a figure behind railings. See a man fall out of a house through a window.  A woman screams. A man comes forward with a horseshoe, screaming. Cut to the man walking forward from the shack. A man stands with his back towards a house while looking towards his right. He reaches out with a stick with his right arm. A woman screams. A man with a knife walks up the stairs. The woman screams as the man comes toward her. Cut to a woman smiling and speaking. See a man in a wheelchair turn around. Cut to a woman running from a room. Cut to a man ready to stab the woman. Cut to a man going down. Cut to Cut to a man breaking a window from the outside. See film title.

48.  The Evictors. color, 1979. A horror film. See a woman run out of a house. See the same woman talking to someone. See hands getting ready to shoot a gun. See a man talk. See a man fall out of a house through a window.  See a man get dragged by a horse. See a man wearing a hat push a button. See a woman smash a window with a pan. See a man behind bars.  See a man in a wheelchair turn around. See a woman bring down a rifle. See a man walking upstairs. See a woman frightened. The woman stands scared as the man comes toward her. See film title.

49. The House on Sorority Row. color, 1983. A low budget American slasher film. See two women wearing graduation caps. Cut to a woman who puts her left hand at a lighted light bulb, the light goes off, the light goes on, and a hand grabs her face as the light turns off again. See a woman with a sinister look. See a hand pointing a gun. See a woman looking up. See another woman looking straight. See a woman wearing a visor talking to her right. See a woman pointing a gun as two other women look on. See a grey-haired woman go down some stairs backwards. See a woman pointing a gun as one woman in the background catches fire and another woman wearing a bra screams. See a group of women wearing graduation attire standing in front of a door. See film title and credits.

50. The Incredible Melting Man. color, 1977. An American science fiction horror film. See what looks like outer space. See a nurse standing in a hallway that has lights on the ceiling. Cut to a man talking as a door slides open next to him. Cut to a man talking on a phone. Cut to the nurse running and screaming in the hallway. She runs through a glass door. Cut to a silhouette of a man walking outside. See film title. Cut to a hand sticking through a broken window, scaring a woman who’s standing right in front of the window holding a butcher knife. Cut to the face and hand of the melting man in the dark. He stands in front of a house. See his eye. See film title and “come prepared”.

51. Body Heat. color, 1981. An American neo-noir film. See film title while a woman’s legs are in the background with heat emitting from them. See a woman talk to a man while they’re sitting down. He talks back to her. See film title while a woman’s legs are in the background with heat emitting from them. See a man smash a chair. See the woman. See film title while a woman’s legs are in the background with heat emitting from them. See the man and woman kiss by a staircase in a house. See film title while a woman’s legs are in the background with heat emitting from them. See yellow light take up the screen. See a hand pointing a gun. See a man in glasses. See another hit something. See a different man sitting and talking. See hands caressing the back of someone. See a man laying on a couch with a hat in on his hand. See a hand trying to work a clock. See a man and a woman kiss. See William Hurt. See film title while a woman’s legs are in the background with heat emitting from them. See credits.

59. The Godsend. color, 1980. A horror film. See a red rectangle in the lower center of the screen with two eyes. The rectangle becomes a cross as the first rectangle moves lower down the screen and a vertical red rectangle is added to the screen. See a woman scream as her head moves up. See a girl with blond hair. See a girl on a swing. See a woman put her right hand to her  face. See a girl looking down while she’s holding some rope. She looks up. See her looking at her parents who are talking to each other. See film title. Close up shot of the “o” in “Godsend” that becomes another scene - a girl talks on a phone as a younger girl looks at her. The girl on the phone turns around. Cut to a far view of a house that gets a close up of a hand at a window. Cut to the blond haired girl. See the face of an older girl. See the eyes of another girl. See See the first girl look away. See a man run from a car. See a woman looking up. See a man looking up. See a girl’s eyes. See a cross with a face and a house that appear within it. See film title.


2. Count Dracula and His Vampire Bride. color, 1973. A horror film. A door opens to the inside of a room. White smoke enters the room. A woman sitting down looks on scared. Count Dracut appears amidst the smoke. Film title appears. Cut to Count Dracut biting the neck of a woman while they’re laying down. Cut to two hand flat above a woman laying down. He moves his hands sideways across the length of her body. Cut to he carries her. Cut to a man with a bandage on his forehead. He appears to stab Dracut in the chest. Cut to feminine fingers moving out of a coffin while two women stand in a distance. The coffin opens. See a skeleton and white smoke. See film title.

7. Death Sport. color, 1978. An action film. In a grand arena, see people riding motorcycles. Cut to a woman who points a flashlight straight ahead. See a man wearing a helmet and a mask disintegrate. See Kaz raise a flashlight of his own to disintegrate a motorcyclist. See an explosion as two people in white run. See a motorcycle on fire and crash. Cut to an explosion. See film title. Kaz talks. See Dabid Carradine’s name, then Claudia Jennings. See camera moving towards fires in a hallway. See Kaz ride a motorcycle between two sides of fire. See film title. Kaz talks. A man fights with Kaz with sticks. See a motorcyclist ride into a tunnel, which then explodes. See film title. See another explosion.

8. Fade to Black. color, 1980. A comedy horror film. See a drawing of a Marilyn Manson look-alike holding a container of popcorn and sipping from a straw while holding a cup with his other hand. The hand holding the popcorn is big and disfigured while the other hand looks human. The camera gets closer to the image. Some popcorn and drink fall out, as if the hands squeezed t hem. Cut to film title and credits.

9. Fade to Black. color, 1980. A comedy horror film. See a man look through a store windown while wearing sunglasses. Cut to the same man sitting next to another man, waving with his gloved right hand. Cut to the same man looking up. See a sign, “Special Midnite Show”. See a man’s right side part of his face. See him hold a paintbrush to his face. He turns around. See that half his face is painted white. He’s put on lipstick and painted above his eyebrows. See a shower curtain move. See a man dressed as Dracula stab someone. See a woman scream. Cut to man holding a paintbrush to his face. See film title and credits.

12. Love at First Bite. color, 1979. A comedy horror film. See a man at the front while boys sit across from him. A coffin is in the middle. See the coffin open. Count Dracula sits up and talksEvery spectator runs away. Dracula turns to speak to the man. Cut to a man (Dracula?) facedown on a woman, who’s holding a pink flower. ut to a man sitting down and talking. Cut to Dracula dancing with a woman on stancing. Dracula talks. See Dracula in the company of a woman at a table. They talk to each other. See a man and a woman dance (see their legs). See film title and credits.

13. Mad Max. color, 1979. An action film. See a man driving a car. See a man wearing sunglasses. See headlights. See an “interceptor” car drive by. See the front of a moving car. See a red button pop up. See something turn. See the odometer move to 50  mil/h. See the road moving. See a car moving behind a motorcycle. See the motorcyclist on one wheel. See a car drive by. See multiple motorcyclists move by. See the front of a car. See motorcyclists ride off a bridge. See film title and credits.

14. Alligator. color, 1980. A horror film. See two people holding flashlights, scanning an area. See walls and water. See an alligator open its mouth. See a boy scream. See an alligator stick its head out of the ground. See film title and credits.

15. Mean Dog Blues. color, 1978. A drama film. See a wide shot of people walking on top of a hill. See a man run. See a sheriff talk. See a vicious dog on a leash, barking in front of the man, scaring him. Cut to the man fall into a swamp. Cut to two shirtless men sitting indoors, with the older man talking to the younger man. Cut to a man hitting another man in the stomach. Cut to the two shirtless men, with the older one talking. See a man punch another man in the face, knocking him to the ground. Cut to the older man talking to the younger man. Cut to a man running outside. Cut to a sheriff talking. See the younger man running. He looks back. See a vicious dog jump. See film title.

16. Meatballs. color, 1979. A Canadian comedy film. See a man try to wire an electric circuit. See an explosion of light. See two people carrying a canoe on top of their heads. The canoe hits a ladder, making the person atop of the ladder to hold onto the roof of a house for dear life. Cut to a person who rolls head first into a boat while another person’s steering the boat. Cut to boys at a basketball court. One of the boys hits another boy in the head with a basketball. A coach throws up a basketball. Cut to a young boy who puts something small on the back of a woman wearing a swim suit, bending over. She straightens up, moves around her arms, and jumps into the pool, butt first. Cut to a man stuffing his face. Cut to Tripper grabbing hold of a boy, knocking him with his elbow. See film title as Tripper cheers.

17. Mother’s Day. color, 1980. A horror film. See a house with lights on at night. See an old woman sitting on a couch, with a man and a woman leaning towards her. She smiles as they mover away from her. See the old lady and three other people walk out of the house. A man pins a woman towards the ground, covering her mouth with his left hand and holding a knife to her throat. See another man hold her knife to her. See film title. See a hand grab the left leg of a person. See a person wearing a cloth mask with holes for eyes. See the old lady sitting in a chair outside. See a man go up out of an opening in the roof of a house. See a man take a picture. See a person hold an ax. See a woman gagged with a piece of cloth. See hands hold a knife that goes down. See a woman laying on the ground. Cut to the old lady smiling. See a person wearing a cloth mask with holes for eyes. See film title and credits as two woman walk by trees, a guy in a wolf costume jumps up in the trees, and one of the woman screams.

18. Mother’s Day. color, 1980. A horror film.  See a house with lights on at night. See a girl scream. See a man tie up a woman with a blanket. See the man smiling. See a woman gagged with a piece of cloth. See film title. See a person sitting inside a car. See a person hold a sword outside the car’s window. “... we can’t”. See an old lady and three other people walk outside a house. See a man leash onto a woman. See a hand hold an ax. See two hands bring a knife down and go back up. “... we can’t”.  See two woman by trees, a guy in a wolf costume jumps up in the trees, and one of the woman screams. Close up shot of the man in mid-jump. See film title and credits.

30. Great White. color, 1980. An Italian horror film. See a man playing a harmonica and playing a guitar at the same time. He also sings. Cut to people on a boat who look and see a man holding onto a sail. Cut to a man shaking hands with another man. Cut to women waving their white hats. Cut to a person walking a surfboard. Cut to a woman enjoying a drink and a boy enjoying popcorn. See a man walk with a yellow towel (?). Cut to a man scuba diving. Cut to a boat moving. Cut to a person falling off his sail boat and into the water. Cut to a man talking through a loudspeaker. Cut to people running out of the water. Cut to legs moving in the water. Cut to a man in the water go head under water. See the bottom of a shark. See the bottom of a wooden plank. See See the plank break apart and someone falling into the water. See the man swim. See the man scream as his head is out of the water. Cut to a man talk to other people. Cut to a flying helicopter. Cut to a shark coming out of the water. Cut to a man in the helicopter screaming. The helicopter goes into the water. Cut to a man aboard a boat, talking. See him attach a weapon to his right leg. Another man looks at him. This other man talks to him. See a woman scream. See a shark come out of the water. See the woman scream. See two men turn around. See the three people on a boat. See the woman fall into the water. Cut to film title and credits with a picture of a shark with its mouth open, holding a rug with a woman laying on it, with her left leg bent up. This picture appears on the left hand side of the screen.

31. Forced Vengeance. color, 1982. An action drama film. See a wide shot of buildings. See Josh Randall jump downwards and kicks a man through an open doorway from what appears to be a closet. Cut to two men fighting with sticks. Cut to Josh fighting with someone by a tree. Cut to Josh kicking someone into a car. Cut to Josh hitting someone in a restaurant (?). Cut to a man wearing a hat kicking someone. Cut to Josh punching someone in the face. Cut to a man kicking someone. Cut to Josh (?) kicking someone in a building. Cut to Josh shooting a gun. Cut to Josh punching someone in the face. Cut to Josh kicking someone in the face. Cut to a silhouette jumping in front of what appears to be a Chinese lit up sign. The screen also shows three more silhouettes on a silhouette of a staircase. Cut to three images of Josh fighting individual men. Cut to the silhouettes in front of the Chinese sign: it appears that one of them is moving his legs by the upper body of another silhouette. Cut to three images of Josh fighting individual men. Cut to what appear to be two silhouettes of men fighting each other. Cut to four images of Josh in fighting mode, with the fourth image of Josh shooting a gun. Cut to a silhouette fall with h is legs apart. Film title appears and moves to a V-shape. Credits appear.

32. Forced Vengeance. color, 1982. An action drama film. See See a man grab hold of another man’s shirt among a lot of people. The second man holds up a pen (?). A third man wearing a hat fights the second man. The second man falls onto a table. See a hand flip open a knife. Cut to a man wearing a hat kick another man. Cut to a woman pointing a gun while another woman looks at her. Josh knocks on door 206. The two women remain in position. See a gunshot hole through the door, knocking off the room number sign. Cut to Josh on a balcony. Cut to a hook attempting to grab Josh’s neck. He grabs hold of the hook with both hands. Cut to a man flipping nunchucks. Cut to Josh standing with two women, shooting a gun. The items on top of the man falls on the man, knocking him down. Cut to a man fighting with Josh, with the man ending up on the ground. Cut to Josh fighting another man inside a house (?). See a man clench his right fist. See Josh tip his hat. Cut to Josh jumping down, becoming a silhouette in front of a Chinese sign. Film title appears. See three other silhouettes as a few credits appear. See the first silhouette and then all four in the background of more credits.

33. Forced Vengeance. color, 1982. An action drama film. See a man in uniform walk down a hallway. Cut to Josh walking through an outdoor market in Hong Kong. Cut to Josh walking off a boat into the arms of a woman. A girl behind him waves. The woman takes off his hat and hisses him. Cut to Josh making love to a woman in bed. Cut to a man shooting at a door. Cut to Josh kicking a man after entering a closet from above. Josh punches the man. Cut to Josh wearing a hat, fighting with a man who has a knife. See a man clinch his right fist. Cut to Josh hitting a man on both sides of his face. making him fall down through a sliding door.  Cut to Josh jumping down, becoming a silhouette in front of a Chinese sign. Film title appears. Cut to Josh jumping down, becoming a silhouette in front of a Chinese sign. Film title appears. See three other silhouettes as a few credits appear. See the first silhouette and then all four in the background of more credits.

36. Halloween. color, 1978. An independent horror film. See film title on the right of a smiling jack-o-lantern. See a door open. See a person dressed in a white cloth. See a girl laying on her bed, using an instrument to rub her nails smooth. Her eyes open wide. See a hand make a hole through the door. The hand moves around. Cut to Laurie Strode scared and covering her mouth with both hands. Cut to a woman laying on a bed. A smiling jack-o-lantern is on her left (on a bedside table) while a tombstone is above her head. Cut to a man who walks and opens a door. See a man push the first man. See Laurie scared while the face of Michael Myers appears faintly beside her. He appears to stab her from behind, but she turns around in time and screams. She tumbles down the staircase. Michael Myers comes down the stairs with a knife in his right hand. Film title appears with a smiling jack-o-lantern on the left of the title.

37. Deadly Blessing. color, 1981. A horror film. See an outside “doorway” that says, “Our Blessing”. Camera gets closer to the house. See a woman tying her hair up while sitting on a bed. She stands up. Cut to camera pans outside the house. Cut to the woman adjusting water temperature for her bath. Cut to a hand opening a window from the outside. Cut to the woman removing her robe. Cut to a hand touching a door, peering into the bathroom. Cut to the woman laying in the bathtub with her eyes closed. Her eyes open wide. Out pops a snake between her legs. She appears to get up. See film title.

38. Halloween. color, 1978. An independent horror film. See Laurie Strode scared and holding back tears. See Michael Myers attempt to stab her from behind. See film title and a smiling jack-o-lantern on the left of the title.

48. The Incubus. color, 1982. A horror film. See a gateway to Samuel M. Cordell’s residence. See a person ride a bicycle towards the camera. Cut to a house. A car drives by the house. Cut to a woman screaming while holding onto wood. Cut to an elder woman looking out of curtains. Cut to a man who turns around. Cut to a person jumps out a wooden building. Cut to two people walk next to a building at night. Cut to the inside of a house. A woman is in a wheelchair. A door is unhinged. The woman raises her arms to prevent the door from hitting her head. Cut to a window with the silhouette of a figure in front of it. Cut to a man amidst smoke. Cut to a woman who screams while laying beside a woman. Cut to a woman looking on. Cut to a man who falls on a bed. Cut to a man in a laboratory, talking. Cut to a man screaming. Cut to hands to push open a door. Cut to a woman in a bathroom stall who screams. See disfigured hands grab her ankles. See film title and credits.

49.  The Incubus. color, 1982. A horror film. See a woman get up from bed. Cut to a woman screaming while holding onto wood. Cut to a man who falls on a bed. Cut to the inside of a house. A woman is in a wheelchair. A door is unhinged. The woman raises her arms to prevent the door from hitting her head. Cut to inside a house where a man who leans in to kiss a woman. Cut to a woman who screams while laying beside a woman. Cut to a man in fear. Cut to a hand that grabs a stake among paraphernalia. Cut to a silhouette of a man. Cut to a woman looking on. Cut to a curved, sharp object. Cut to a man fall out of a wooden building. Cut to a finger pointing at the word, “Incubus” in a written document.  Cut to a man in a laboratory, talking. Cut to a man screaming. Cut to hands to push open a door.  Cut to a woman screaming. She appears to get pulled back. See film title and credits.

50. The Incubus. color, 1982. A horror film. See the outside of a building. Cut to two people walk next to a building at night. Cut to a woman screaming while holding onto wood.  Cut to a window with the silhouette of a figure in front of it. Cut to the inside of a house. A woman is in a wheelchair. A door is unhinged. The woman raises her arms to prevent the door from hitting her head. Cut to a woman who looks on. Cut to a man screaming. Cut to man amidst smoke. Cut to a curved, sharp object. Cut to a man fall out of a wooden building. Cut to an elder women looking out of curtains. Cut to a man looking left as he’s about to get into a car. Cut to a door trying to open from the top. Cut to a man who turns around. Cut to the door still attempting to open. Cut to a woman in a bathroom stall. Cut to hands that push open the door. Cut to the woman in a bathroom stall, screaming. See disfigured hands grab onto her ankles. See film title and credits.

51. The Incubus. color, 1982. A horror film. See a window with the silhouette of a figure in front of it. Cut to an elder women looking out of curtains. Cut to a woman looking on. Cut to a woman screaming while holding onto wood. Cut to a silhouette of a man amidst smoke. Cut to hands that push open a door. Cut to a woman in a bathroom stall, screaming. Cut to two disfigured hands grab onto her ankles. See film title and credits.

52. The Earthling. color, 1980. A drama film. See a vehicle go off a cliff. See a person scream inside the vehicle. See that the vehicle is a bus. Shawn Daley, holding firewood,appears to see the bus crash. Cut to Shawn looks in fear. Cut to a snake on a tree. Shawn screams. Cut to a large rat. Cut to a frightened Shawn, who screams when he seas the rat. Cut to Patrick Foley, holding a stick. Shawn runs among water and rocks. Patrick talks to Shawn. Cut to film title and credits. Shawn plays with a kangaroo in the background.

53. The Earthling. color, 1980. A drama film. See a big rat. Cut to Shawn Daley. He looks at the rat. The rat comes closer to him. He screams. Cut to a lizard (?) walking on the grass and leaves. Cut to Shawn screaming. Cut to eyes of a frog. Cut to a blinking eye of a lizard (?) Cut to a toad that jumps. Cut to Shawn taking out a knife and pointing it straight ahead. Cut to a fish in the water. Cut to the back of Shawn, bending over towards a body of water. He appears to have grabbed a fish. Cut to Patrick Foley who talks to Shawn. Cut to Shawn looking behind himself. Cut to a dog running. Cut to a dog biting Shawn’s shoe. While holding onto a large rock, Shawn looks down and appears to scream or cringe. Cut to leaves and grass. See a man next to Shawn, with Shawn screaming. Shawn runs away and falls to the ground. Cut to a cliff. See film title and credits.

56. Dawn of the Dead. color, 1978. A zombie film. See a scroll up: In 1968 George Romero brought us “Night of the Living Dead.” It became the classic horror film of its time.  Now, George Romero brings us the most intensely shocking motion picture experience for all times.” Film title appears. “Night of the living dead has ended. Dawn of the Dead is here. See a flash of light. Cut to a man wearing a gas mask standing next to a man wearing a tie. The man wearing a tie talks. Cut to an officer who kicks open a door. Cut to a woman screaming. Cut to the officer holding a gun and a stick (?) The door closes in front of him. Cut to a man carrying equipment standing next to a woman. The woman and the man grab onto each other. Cut to a man talking with a microphone. Cut to men with guns running through a store. See a man grab hold of the third running man. Cut to a man with an eye patch talking on TV. Cut to a disfigured person grab hold of a standing man. This person fumbles with something on the man’s shirt, causing a box of cigarettes to fall to the ground. The person pushes the man. The man sits on the floor and pulls out a gun. The person comes closer to him as he points a gun at the person. Cut to an elevator door opening, revealing five zombies reaching into the elevator. See film title and credits.

57.  Dawn of the Dead. color, 1978. A zombie film. See a scroll up: In 1968 George Romero brought us “Night of the Living Dead.” It became the classic horror film of its time.  Now, George Romero brings us the most intensely shocking motion picture experience for all times.” See film title. See a bright light. Cut to an elevator door opening, revealing five zombies reaching into the elevator. See film title and credits.

58. Dawn of the Dead. color, 1978. A zombie film. See a scroll up: In 1968 George Romero brought us “Night of the Living Dead.” It became the classic horror film of its time.  Now, George Romero brings us the most intensely shocking motion picture experience for all times.” See film title. See a bright light. See a woman and a man grab onto each other. See film title and credits.

59. Dawn of the Dead. color, 1978. A zombie film. See a scroll up: In 1968 George Romero brought us “Night of the Living Dead.” It became the classic horror film of its time.  Now, George Romero brings us the most intensely shocking motion picture experience for all times.” See film title. See a bright light. See hands reaching out of slits between stapled (?) wooden wall, with men wearing headgear pushing the wall back. See guns from one side of the wall and hands from the other side of the wall. See film title and credits.

60. Dawn of the Dead. color, 1978. A zombie film. See a scroll up: In 1968 George Romero brought us “Night of the Living Dead.” It became the classic horror film of its time.  Now, George Romero brings us the most intensely shocking motion picture experience for all times.” See film title. See a bright light. See two men run through a store. See a man grab the second man. See film title and credits.

61. The Amityville Horror. color, 1979. A horror film. See a house during the day. The camera gets closer to the house. Cut to a sign that says, “For sale  Long Island Realtors  516-297-9397”. Cut to inside the house where a man and a woman talk to each other. Cut to three people standing by an open doorway to the house. Cut to film title. Cut to a priest (?) chanting with his eyes closed and both hands on both sides of his face. Cut to a door opening. Cut to the priest looking, with insects on his face. Cut to a wall with insects on it. Cut to the priest looking, with insects flying near him with some on his face. Cut to a screaming woman. Cut to a sitting man, pulling his hair and screaming. Cut to a door opening, with three wooden planks breaking off. Cut to a shot of the outside of the house, seeing lights inside the house through two windows. See a wide shot of the entire house at night. Cut to previous shot of the house of its windows, with house becoming brighter, and then back to darkness. See a window glass break from the inside of the house. Cut to a man take a step downstairs, and fall through a step. Cut to shot of outside the house. The house is bright, and then dark. See a wide shot of the entire house, flash. See film title and credits.

13. Kill Or Be Killed trailer, men fighting, karate
14. Death Ship trailer
15. Kill To Be Killed trailer
16. Kill Or  Be Killed trailer
17. Kill Or  Be Killed trailer, men fighting, karate
18. Death Ship trailer, empty,  scary looking ship,  scared people
19.  Death Ship trailer, empty,  scary looking ship,  scared people


one to five television spot teaser trailers for each of the following films:

Young Frankenstein
Silver Streak
California Suite
C.H.O.M.P.S.
Every Which Way But Loose
The Prisoner of Zenda
Saturday Night Fever (PG rated version)
The One and Only (Henry Winkler as a wrestler)
Grease
Burnout
Smokey and the Hotwire Gang
Smokey and the Bandit
Star Crash
Take Down
The Promise
Ice Castles
Coach
Candleshoe
Harper Valley P.T.A.
Watership Down

Queer (Jenni)
foxes, little darlings, Boy Scouts of America commercial, boys marching in uniform, pledge of allegiance, etc., Girl Scouts of America commercial,  Blatz Beer commercial., Tea and Sympathy (trailer) Who’s Afraid of Virginia Woolf?, (trailer), Spartacus (trailer), the Sound of Music (trailer), Candleshoe (trailer), A Portrait of Dorian Gray (trailer), Lawrence of Arabia (trailer), The Music Lovers (trailer),  An Adult Look at Police Detectives (trailer), The Sergeant (trailer),   Reflections in a Golden Eye (trailer), Cabaret (trailer),  X,Y & Zee (trailer),  and The Valley of the Dolls (trailer), Mommy Dearest (trailer),  Two Gentlemen Sharing (trailer), I Could Never Have Sex With Any Man Who Has So Little Regard for My Husband (trailer), Deliverance (trailer), Freebie and the Bean (trailer), Thunderbolt and Lightfoot (trailer), Ode to Billy Joe (trailer), Norma Is That You? (trailer), The Ritz (trailer), That Cold Day in the Park (trailer), A Different Story (trailer), Dog Day Afternoon (trailer), Cruising (trailer), the Flintstones, Deathtrap (trailer),  Longtime Companion (trailer) Chastity, Batman & Robin TV Show Episode (no title) with Catwoman (Eartha Kitt) , Limbo, Lady Kung Fu,
Where Angels Go Trouble Follows. Fortune and Men’s Eyes 0.) Fassbinder Tribute (short)
1.) Rock Hudson trailer reel
2.) TWA “Thrifty” - Peter Sellers
3.) These Three trailer
4.) Paint + Powder - Eddie Bowland
5.) Jackson County Jail - trailer
6.) ‘Airport 77’ - TV clip Jimmy Stewart
7.) Gay Deceivers & Fortunes in Men’s Eyes - trailers
8.) Member of the Wedding
9.) To Kill a Mockingbird & That Touch of Mink - trailers
10.) Batman - trailer
11.) Sunshine Boys - trailer
12.) The Strange One, Suddenly Last Summer, Lilith, Love American Style, THE END - trailers
1. Airport 1975 (1of2)
2. The Big Bus
3. Dog Day Afternoon (1of2)
4. Z.P.G. aka Zero Population
5. Little Fauss and Big Halsy
6, Grave of the Vampire
7. House of Exorcism
8. Return of Count Yorga
9. Play it Again, Sam
10. The Posession of Joel Delaney
11. Doctor Jekyll and Sister Hyde
12. Escape from the Planet of the Apes
13. Cabaret (1of3)
14. Dog Day Afternoon (2of2)
15. Cabaret (2of3)
16. Conquest of the Planet of the Apes
17. Charlotte's Web (cartoon)
18. Cabaret (3pf3)
19. Airport 1975 (2of2)
20. Battle for the Planet of the Apes
21. Eat my Dust!
22. Cover Girl Models
23. Switchblade Sisters
24. War Goddess